Master of the Vineyard Myrtle REED (1874-1911) "Why don't you sell the vineyard?" she asked, though her heart sank at the mere suggestion. "Sell it? Why didn't the Ancient Mariner sell his albatross and take a nice little trip around the ~o CD CD world on the proceeds? Mother would die of a broken heart if 1 mentioned it to her. The Marsh S family have been the slaves of that vineyard since the first mistaken ancestor went into the SJ (/> QC grape business. We've fertilised it, pruned it, protected it, tied it up, sat up nights with it, fanned CD 1 the insects away from it, hired people to pick the fruit and pack it, fed the people, entertained "D a- them, sent presents to their wives and children—we've done everything! And what have we o cc >, had for it? Only a very moderate living, all the grapes we could eat, and a few bottles of musty 0) old wine. "Mother, of course, has very little to do with it, and, to her, it has come to represent CD _c some sort of entailed possession that becomes more sacred every year. It's a family heirloom, < > like a title, or some very old and valuable piece of jewelry. Other people have family plate and 5' 0) family traditions, but we've got a vineyard, or, to speak more truthfully, it has us." CD < fi> o Read by Celine Major. Total running time: 08:09:13 Q. L. CD This recording is in the public domain and may be reproduced, distributed, or modified J3 (/) CD s without permission. For more information or to volunteer, visit librivox.org. CD Cover picture by Sven Wilhelm (2017). Copyright expired in U.S., Canada, EU. and all countries with author’s life +70 yrs laws. Cover design by Carolin. This design is in the public domain. CD Q.